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Drive Into The Country For Lunch On A Winter Afternoon

Winterday

The Village of Dexter is a charming little village situated about thirty minutes from home.  It is the perfect distance to go for a ride on a gorgeous winter afternoon.  To take in the beauty of the season:  the snow from a couple days still a brilliant white, forming snow banks along the highway and the evergreens looking picture post-card perfect.

There is a stark beauty to this season.  So long as you’re bundled up when you’re outdoors, and have reliable transport to get around, what’s not to like about it?

Here’s a picture-story of our trip.  the houses, barns, churches, schoolyards, and shops in the village looked perfect against the beautiful white landscape.

And the Red Brick Kitchen and Bar on Main Street in Dexter wasn’t too shabby either– I highly recommend their Red Brick Beef Tips With Au Jus that comes with country-fries.

The slideshow isn’t working too well for now, so click here to go to the album.

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With Egypt, Diplomatic Words Often Fail (America in an "impossible hole")

TWO different White Houses, two different speeches.

In June 2005, Secretary of State Condoleezza Rice stood before an audience of 600 at the American University in Cairo, assailed the Egyptian government for intimidating and locking up protesters and called for President Hosni Mubarak to hold free elections. “For 60 years, my country, the United States, pursued stability at the expense of democracy in this region here in the Middle East, and we achieved neither,” said Ms. Rice, infuriating the Mubarak government and heartening opposition leaders like Ayman Nour, an oft-jailed Parliament member, with whom she even held a meeting as part of her trip.

In June 2009, President Obama stood before an audience of 3,000 at Cairo University, and took a far gentler tone. “I do have an unyielding belief that all people yearn for certain things: the ability to speak your mind and have a say in how you are governed, confidence in the rule of law and the equal administration of justice, government that is transparent and doesn’t steal from the people, the freedom to live as you choose,” Mr. Obama said. But he then added, “There is no straight line to realize that promise.” Mr. Mubarak’s officials were euphoric after his speech; one called it “seminal.”

In the end, neither speech may have made much of a difference.

The chaos unfolding in Egypt is laying bare a stark fact, Middle East experts say: In the Arab world, American words may not matter, because American deeds, whatever the words, have been pretty consistent. Ever since that March morning 31 years ago, when Anwar el-Sadat reached out to clasp hands with Menachem Begin on the North Lawn of the White House after signing the Camp David peace treaty with Israel, the United States government has viewed the Egyptian government, no matter how flawed or undemocratic, as America’s closest ally in the Arab world.

Even when Ms. Rice and the Bush administration were infuriating Mr. Sadat’s successor, Mr. Mubarak, and calling for democracy in the Middle East, the reality was that the two governments were still, at their core, allies. Mr. Mubarak never forgave the Bush administration for the public flogging, officials in that administration say, but he met with Ms. Rice and President George W. Bush whenever they came through the region, and remained involved in Mr. Bush’s late efforts to negotiate Middle East peace.

And for all their calls for democracy, when it actually began happening in the Middle East, the Bush administration had to tack in the other direction. Palestinian elections in 2006, which the United States pushed for, led to victory for the militant Islamist organization Hamas, which the United States promptly blacklisted. Enter Mr. Obama, who came to office in 2009 vowing that he would make a major address from a Muslim capital early on, a promise he followed up with the Cairo speech. Determined not to repeat what it viewed as the mistakes of the Bush administration, the Obama administration limited criticism of Egypt to private conversations, and pointedly declined to publicly congratulate the government when it freed the jailed Mr. Nour, so as not to embarrass it.

Now, with the ascendance of democracy advocates on the streets of Cairo, Alexandria and beyond, the United States has been tacking furiously again — this time to ally itself closer to the side of the protesters — while at the same time not getting too far away from its friend, Mr. Mubarak. The White House press secretary, Robert Gibbs, encapsulated the administration’s dilemma Friday in words that made it clear that administration officials still hadn’t decided what to do. “We will be reviewing our systems posture based on events that take place in the coming days,” he told reporters, sounding like he was talking about a NASA launch, not chaos in Cairo.

A few hours later, his boss came out with the administration’s strongest posture to date on behalf of the protesters, trying to get ahead of any potential violent crackdown by the Mubarak government by calling on Egyptian authorities to “refrain from calling for any violence against peaceful protesters.” But he stopped short of calling for free and fair elections, limiting his remarks to a request for Mr. Mubarak to address the grievances of the Egyptian people.

America, said Robert Malley, a Middle East expert at the International Crisis Group, is in an impossible hole. “Every time we open our mouth, it runs a risk of hurting the objective we’re pursuing,” he said. “The more we appear to be backing the regimes we’ve been backing for decades, the more we place ourselves on the wrong side of history and the more we alienate the constituencies who could be coming to power.”

But, Mr. Malley added, “the more we side with the protesters, the more we’re hurting the existing relationships and appearing to be fickle.” For instance, the Obama administration’s latest distancing of itself from Mr. Mubarak may not go over well. “It’s not clear to me that the protesters will take seriously expressions of solidarity from a country that’s been backing autocratic regimes,” Mr. Malley said.

Martin S. Indyk, director of foreign policy at the Brookings Institution and a former United States ambassador to Israel, agreed. “We’re in completely uncharted territory,” he said. “This is a big deal with huge potential consequences for U.S. strategic interests in a vital region.”

The strategic importance of Egypt, the experts said, lies in its role as the cornerstone of American policy in the Middle East. The United States could not have sustained the wars it fought in Iraq without logistical support from Egypt’s government. Oil for Europe comes through the Suez Canal. Egypt is the largest and most militarily powerful Arab country. And most important to the United States, it is the crux of any American effort to resolve the Arab-Israeli conflict. Mr. Sadat’s peace deal in 1979 with Mr. Begin made it next to impossible for other Arab states to contemplate going to war with Israel, and therefore opened a very slow — excruciatingly slow — process for the Arab world to come to terms with Israel.

All of that is why both of those Cairo speeches, for all of their oratorical differences, may not really have mattered at the end of the day, Middle East experts said. American governments need a partner in Egypt who supports the keystone of America’s Middle East policy, and Hosni Mubarak has been that partner for 30 years. “The Israeli-Egyptian peace treaty is the pillar of the structure in the Middle East,” said Edward P. Djerejian, a former American ambassador to Israel and Syria. “If the ’79 agreement goes asunder, everything falls apart. Everything falls apart.”  

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Notes On A Scandal, 2006

Notesonascandalos

 

It’s a shame that it took me so long to get to this little thriller of movie, but I’m glad I finally did for more reasons than one.  Beyond the stunning acting of the two leading ladies, Blanchett and Dench, the story set in a seemingly-simple and small community in the UK suburbs forces you to sit up and take note of the not-so-simple circumstances that beset the most ordinary of people– people, who in their various roles of teacher, pupil, spouse, mother, friend, son, parent, sibling, child– struggle with moral and ethical dilemmas that have no clear-cut solutions at times…

And one can’t help but draw parallels to similar real-life stories of affairs between school-teachers and minors, and the consequences as they play themselves out, leaving most of the time a mangled mess of ruined relationships and wasted futures.

The added twist to this type of scandal in this story is the presence of the dark and scheming predator of a friend and colleague who is battling demons of her own where the concept of good vs. evil is turned on its head to the point that such a person will view themselves as savior, not predator.

Brilliantly acted, and masterfully presented, this is a movie meant to make you uncomfortable, even as you are being entertained.

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Love In The Time Of Cholera, 2007

Lovecholera_436280n

Having read the book a long time ago, my memory was a little fuzzy in making the usual comparison between the book and movie adaptation, and well, I don't quite know if I liked it or not… which is neither here nor there, but then again, so also was the storyline.

A love that holds out for 50+ years has to grab you one way or the other, no doubt about that, but still, I wonder about the sincerity of it. Or perhaps I need adjust my perspectives on the concept of pining for a love that is beyond one's reach. Perhaps it is not all desolation and solitude; rather, perhaps it is the exact opposite of that which is employed as a coping mechanism. How else to explain away the incessant affairs through a lifetime whilst waiting for your true love?

Javier Bardem is good no matter what role and Shakira's haunting vocals in the backdrop of the lovely Colombian landscapes makes for a pleasant viewing, all things considered.

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The Reader, 2008

0thereader

The aftermath of the holocaust serves only as the backdrop to this fascinating story and isn't by any means the sole focus of it as may be the misconception. Brilliantly constructed and presented, the story has multiple layers and angles by which to view the human condition.

It is primarily a love story that transcends age and time, which in and of itself is enough to leave one in awe of the beauty of such a phenomenon. But beyond that, it is a window into the complexity of the human psyche that has the ability to blur the lines between right and wrong, and render everything to be relative.

This is a story of an absolution that is received without it being given; a redemption that is achieved despite the central character's inability to process absolutes; a story of restoring sublimity and meaning even when second chances might be dismissed; a story of a love that is relentless in its ability to persevere in the harshest of terrains regardless of the promise of any further fruition; a story that affirms the amazing power of the written and spoken word. "…it doesn't matter which you heard– the holy or the broken hallelujah!"

Two thumbs up to the acting and the nice juxtaposition of past and present that is quite seamless in how the story plays itself out.

Go see it. 

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The International, 2009

The-international-3865-poster-

Big conspiracies in high places and a lot of suits doing a lot of globe-trotting. Sadly, not enough suspense.

Clive Owen might be a babe alright, but needed something more to make his character memorable. And if you haven't seen the Guggenheim, well then, you get a pretty good feel for what its like on the inside thanks to the prolonged shootout that happens there.

Nice cinematography of the views of Berlin and Milan also.

All in all, so-so. [this is no indication of the quality of the film, but I must admit I dozed off mid-way for a little bit and was told that I hadn't missed too much anyway…]

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Taken, 2008

Taken-quad

No type-casting for Neeson in this film, and all things considered, quite a surprisingly crafty performance, although no matter how remarkable the acting, it is the story in the end that really matters. But the story is a predictable one, with its share of drama and suspense and fast-paced action that has a all's-well-that-ends-well ending, but isn't remarkable in any particular way.

Yes, one identifies wit the horror, despair and outrage of being a parent who has a child kidnapped, but the almost super-human reaction portrayed by Neeson to fight back (and succeed in his every move) is one for the heroes among us.

The sex-trafficking of young women from anywhere in the world, but particularly from the West, is a chilling reality (reinforced in real-life with a similar incident in a nearby town just last week!) depicted quite well that made me reach for my cell in order to text my own kids at home even while Neeson was zigzagging the streets of Paris hunting down the bad guys!

Given the state of current offerings, I'd say its worth going to the movies for– as opposed to waiting for the DVD. 

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Slumdog Millionarie, 2008

Sdm

The hype is over the top and this movie is overrated. It is a well-made movie, but it is not remarkable. Neither is it earth-shattering, and it didn't blow me out of the water like I was expecting it to. The story is a feel-good one, but the plot has many holes in it.

Given that it is not the standard Bollywood masala movie, such holes need addressing, such as: how did he get on the show in the first place? a minor allusion wasn't sufficient. I've seen many a good Hindi movie that have the Bombay underworld depicted far more graphically, so this was all small potatoes. And as for the big surprise ending that's being talked about, I didn't think it was anything but predictable.

See Anil Kapoor's Parinda for a great story about surviving (or not) in the drug mafia of Mumbai, and that's one story of a heart-wrenching romance with a twisted ending that will leave you in a puddle. 'Crash' from a few years back also did the same. But, I'm sorry to say Slumdog didn't do that for me.

And Dev Patel's quasi-British accent was a tad annoying– I mean if you're from the slum, you gotta sound like it, even in English! So, yeah, go see it if you can't wait for the DVD.

Final note: the cinematography gets higher marks than the storyline.