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Look Into The Mirror: What You See Might Surprise You!

This is a post titled ‘Instant Art’ that was first published on Monday, June 23, 2008 in my private blog.  I reproduce it here today to add to the recent posts on mirrors that I have published in this Art section of my public blog.  It may very well be that I will still do individual posts on each of these mirrors, but until such time, here’s something for the eyes and the mind.

Sylvia Plath’s Mirror is the well-known poem that is often cited in literary circles for being the quintessential poem on mirrors, but I myself have never been quite taken with the dark and dismal imagery of her lines, especially those from the second verse.  But then, given Plath’s general state of mind, and all other things considered, I suppose this was very much in character…  


 

To me, personally, mirrors are simply works of art:  not just because of the various frames that they come in– that are certainly works of art in and of themselves– but more so because of what they usually reflect– faces.  It is an almost powerful feeling of being able to create art instantaneously simply by virtue of holding a mirror up to your face, or viewing the face of another inside a mirror!  Nothing vain about it; just a matter-of-fact wonder in seeing one’s reflection and knowing that there is no other way to see so clearly one’s own face were it not for this piece of glass (a body of water might offer the same, only not-so-clearly).


 

So:  here are some of the mirrors that I call my own.  Actually, I didn’t consciously go about collecting them; it just so happens that they’ve come to me one way or another, and most, if not all have some meaning to me.  Look inside any one of them, and voila! a work of art is there for your viewing pleasure.  Small note on each of them in the order that they appear:

 

  • The silver and turquoise lacquer one was a gift from my dear cousin, Shorrosh.  It is actually a photo-frame, but I chose to have a mirror put into it.  🙂 It found a nice spot for itself in the drawing room.
  • The wooden one with the ivory-like inlay was a gift from Meenu, one of the kids from our Children’s Home; it is made in Saharanpur, known for its world-famous woodwork. So special and lovely is it that it found its way into my kitchen.
  • The shapely wooden one in which I appear holding my camera is more than a mirror; it is a holder of all the keys that come in and out of the house; a $5 treasure from Treasure Mart– it certainly owns the piece of wall that it hangs on right inside the front doorway.
  • The one on my dresser is not too clear, but it is one that is carved and painted in muted colors of blue and brick.  It says it is made in Thailand on the back, but I’ll admit I found it on sale at the Pier One store!
  • The one with the beaten copper and handmade tiles is from Albuquerque, New Mexico that I picked up in a charming little shop in the old-town district while there last Fall. Absolutely exquisite, this one also found its way into the drawing room.
     
All of them beautiful in style and size, and the special meaning they bear of either being a gift or of having been discovered.  And above all, of course, for the unique work of art each of them offers when one looks into any of them!

 And since I invoked Plath’s poem to begin with, here it is in its entirety.  Pity that Plath apparently was revolted with the notion and appearance of a face marked with time.  I, on the contrary, would wish to seek out the pulchritude and grandeur of a face weathered with time and tide– be it my own or that of another.  After all, wouldn’t you want the mirror to tell you the truth– or would you rather be like the evil Queen in Snow White?   (And this is purely a sidebar:  When confronted with the Truth, I would recommend that it be accepted and embraced, and not made out to be a Liar.)


I am silver and exact. I have no preconceptions.

Whatever I see I swallow immediately

Just as it is, unmisted by love or dislike.

I am not cruel, only truthful —

The eye of a little god, four-cornered.

Most of the time I meditate on the opposite wall.

It is pink, with speckles. I have looked at it so long

I think it is part of my heart. But it flickers.

Faces and darkness separate us over and over.


Now I am a lake. A woman bends over me,

Searching my reaches for what she really is.

Then she turns to those liars, the candles or the moon.

I see her back, and reflect it faithfully.

She rewards me with tears and an agitation of hands.

I am important to her. She comes and goes.

Each morning it is her face that replaces the darkness.

In me she has drowned a young girl, and in me an old woman

Rises toward her day after day, like a terrible fish.

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Original Sketches: Numbered and Signed By A Frenchman

Many years ago, I picked up these two original numbered sketches from a man who was selling everything in his house and moving to Florida.  They happen to be original sketches, numbered and signed by the artist.  From the name of the artist–Jacquest–I assume he must have been French, and these scenes look like they could be any street in Paris.  But they also remind me of my own town here– a small college town– that has all the essential shops like the ones portrayed here.

Beautiful, don’t you think? 

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Van Gogh's Irises In A Vase: When A Replica Can Take Your Breath Away

Four summers ago, we took a lovely vacation to a few places in Europe, and although it was a whirlwind tour, it gave us a good taste of many of the grand cities on the continent, one of them being the hometown to celebrated crazyman artist called Vincent Van Gogh.  We went to the Van Gogh Museum in Amsterdam, of course, and took in all the extraordinary sights of his works, many of them so famous, it takes only a glimpse to identify it as a Van Gogh work.

But after the official tour of the museum, we came outside to find a street artist who had replicated many of these famous works in a most surreal style with shiny paints.  I couldn’t resist buying this one.  It is, of course, the famous one titled Irises In A Vase.  A replica of the original, but an original nonetheless, interpreted in a most fascinating style, don’t you think?

I brought it home, had it framed, and this brilliant work has forever found a place in a prominent spot in my living room.  See for yourself!  Incidentally, a sister-post to this one may be found by clicking here.

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Telling It Like It Is: Van Gogh and All

This is a post that was first published in my private blog in June 2008.  I was prompted to dig it up thanks to attention that was recently drawn to this lovely piece of artwork — a replica of a famous piece by the Dutch artist, Vincent Van Gogh, that I have in my house — thanks to a trip to Amsterdam some years back.  A visiting friend of mine complimented it recently, which reminded me of this blogpost I’d written a while back.  I reproduce it today for the love of this piece of art, and for all the associations and sentiments that it provoked in me at that time, and still does even today.  A separate post on my ‘Art’ section will be devoted to more on this piece.  This is certainly a “show” that must go on.  Original post follows…

 

To everyone who has ever claimed and believed that human suffering–in and of itself–is a virtue that strengthens the soul and what-not, I say to them:  That’s a bunch of baloney!  I believe that the emotions of pain and suffering are an inevitable part of the human condition and cannot be escaped; however, the sheer act of experiencing them do not in any way improve the human condition; on the contrary, they accomplish what is expected, viz. inflict misery in various ways on the mind and body.  If, however, suffering is processed in a manner that allows for new windows of the mind, heart and soul to be opened from within and without, then it is, I suppose, a great teacher indeed.  One that instructs with a view to making you stronger, and bigger, and bolder, and wiser.  Or so, I’d like to think…

 

In line with this, these writings of mine are meant to serve as a sincere sounding board to myself (and to those I love), but I just learnt that my views on suffering are not original thoughts in the sense that this is not the very first time that they have been voiced.  (Actually, I happen to believe that every thought one conceives is original in its own way, but more on that another time.)  Regarding this concept of suffering though, Joseph Addison (1672-1719), the English essayist and poet is known to have said: “I do not believe that sheer suffering teaches.  If suffering alone taught, all the world would be wise, since everyone suffers.  To suffering must be added mourning, understanding, patience, love, openness and the willingness to remain vulnerable.”

 

So, there you have it: someone of note and recognition has already said what I am thinking… and I couldn’t agree more with the list of qualities that he cites as requisites to complement the suffering in order to benefit from it.  But there’s one other thing that I might add to his list:  forgiveness.  I believe that forgiveness is essential to the notion of taking something painful and possibly broken or even lost in human relationships, and letting it go — because only when you care for and love something so deeply can you really “let it go”, i.e., you can forgive and move on.  And in doing so, you offer a gift to your offender — that disarms them, and to yourself — that provides relief.  It also means that you love yourself enough to give yourself a gift.  (And perhaps all that is actually essential to becoming a better you…?)

 

And so, in line with this concept of pain and suffering, I am reminded of crazy Vincent van Gogh, the pioneer Dutch painter in the Postmodern Impressionistic style who knew of suffering in its raw and bleeding form.  Apart from his obvious genius (which became apparent only in the last two years of his life when he is known to have produced the bulk of his work), he was essentially a hopeless romantic who couldn’t come to terms with having been spurned in love not just once, but several times over which caused him to go off the deep end in more ways than one including holding his hand over a flame until he passed out, and later, going into bouts of depression and severe mental illnesses that led to the cutting off a part of his own left ear, and eventually to shooting himself to death at the age of thirty-seven!

  

Vincent, my man, you didn’t know how to use suffering to your own good, now did you, but you certainly used it to give the world a glimpse of your genius!  And although your suffering was obviously the undoing of you, here’s hoping that it serves as a lesson for others who might find themselves in as precarious and unsettled a position as you.

This is a lovely reproduction of your ‘Irises in a Vase’ rendered in metallic paints that I picked up while in Amsterdam last summer.  Thank you!

 

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One Hundred Children At Play: Auspicious Art From China

I was in Hong Kong some years back, and picked up this lovely piece of art.  It is, I was told, a traditional Chinese piece of artwork titled, ‘One Hundred Children At Play’ and is considered an auspicious piece to adorn any part of your home for the obvious reasons of children being associated with prosperity and abundance. 

I brought it back, spent a fortune having it framed, and for the last thirteen years, it has adorned the walls of my home.  I did count the children once– there are 100 of them, for sure! 

Oh, by the way, I have two children who are as good as all one hundred of these, hands-down! 

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For The Love Of Mirrors, Another One From Mexico

This was another one of my finds– found in Texas, made in Mexico.  A work of art every which way you look at it, and especially when you see your own reflection in it!

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Mirror, Mirror, On The Wall

A most exquisite mirror that I found in San Antonio, Texas on a recent touristy visit.  Handmade in Mexico, across the border, it was one of a kind that I couldn’t help but pick up (and pay a handsome price for!), and bring home with me on a 5-hour plane trip.  This lovely mirror adds to my small but growing collection of mirrors from around the world.  It has found a place in our living-room, reflections of which may be seen from within the mirror itself.  This is cross-posted in my Haiku Love section at:  http://haikusdisaac.posterous.com/whos-the-fairest-of-us-all

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Green Ceramic Glazed Planter With Fish Motif: Beautiful With or Without A Plant

A find some years back in Treasure Mart, our local thrift store.  A beautiful piece of pottery with one of my favorite motifs:  a fish. 

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