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“…as far as I can tell, daughter, it works like this…”

How Things Work By Gary Soto

Today it’s going to cost us twenty dollars
To live. Five for a softball. Four for a book,
A handful of ones for coffee and two sweet rolls,
Bus fare, rosin for your mother’s violin.
We’re completing our task. The tip I left
For the waitress filters down
Like rain, wetting the new roots of a child
Perhaps, a belligerent cat that won’t let go
Of a balled sock until there’s chicken to eat.
As far as I can tell, daughter, it works like this:
You buy bread from a grocery, a bag of apples
From a fruit stand, and what coins
Are passed on helps others buy pencils, glue,
Tickets to a movie in which laughter
Is thrown into their faces.
If we buy a goldfish, someone tries on a hat.
If we buy crayons, someone walks home with a broom.
A tip, a small purchase here and there,
And things just keep going. I guess.
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“…this is always the case…”

Keeping Things Whole

BY MARK STRAND
In a field 
I am the absence 
of field. 
This is 
always the case. 
Wherever I am 
I am what is missing. 


When I walk 
I part the air 
and always 
the air moves in   
to fill the spaces 
where my body’s been. 


We all have reasons 
for moving. 
I move 
to keep things whole.
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“…something crowded inside us always craving to become something glistening outside us…”

Visions at 74 

BY FRANK BIDART
The planet turns there without you, beautiful.
Exiled by death you cannot
touch it. Weird joy to watch postulates
lived out and discarded, something crowded
inside us always craving to become something
glistening outside us, the relentless planet
showing itself the logic of what is
buried inside it. To love existence
is to love what is indifferent to you
you think, as you watch it turn there, beautiful.
World that can know itself only by
world, soon it must colonize and infect the stars.
You are an hypothesis made of flesh.
What you will teach the stars is constant
rage at the constant prospect of not-being.

                       
                      •

Sometimes when I wake it’s because I hear

a knock. Knock,
Knock. Two
knocks, quite clear.
I wake and listen. It’s nothing.
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My Nod to St. Patrick’s Day

The Lost Land 

BY EAVAN BOLAND

I have two daughters.


They are all I ever wanted from the earth.


Or almost all.


I also wanted one piece of ground:


One city trapped by hills. One urban river.
An island in its element.


So I could say mine. My own.
And mean it.


Now they are grown up and far away


and memory itself
has become an emigrant,
wandering in a place
where love dissembles itself as landscape:


Where the hills
are the colours of a child’s eyes,
where my children are distances, horizons:


At night,
on the edge of sleep,


I can see the shore of Dublin Bay.
Its rocky sweep and its granite pier.


Is this, I say
how they must have seen it,
backing out on the mailboat at twilight,


shadows falling
on everything they had to leave?
And would love forever?
And then


I imagine myself
at the landward rail of that boat
searching for the last sight of a hand.


I see myself
on the underworld side of that water,
the darkness coming in fast, saying
all the names I know for a lost land:


Ireland. Absence. Daughter.
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“… It’s winter now I waken…”

A Daughter of Eve

by Christina Rossetti
A fool I was to sleep at noon,
         And wake when night is chilly
Beneath the comfortless cold moon;
A fool to pluck my rose too soon,
         A fool to snap my lily.
My garden-plot I have not kept;
         Faded and all-forsaken,
I weep as I have never wept:
Oh it was summer when I slept,
         It’s winter now I waken.
Talk what you please of future spring
         And sun-warm’d sweet to-morrow:—
Stripp’d bare of hope and everything,
No more to laugh, no more to sing,
         I sit alone with sorrow.
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“The conscience and the concentration both make mere life, Love.”

Love BY ELIZABETH BARRETT BROWNING
We cannot live, except thus mutually
We alternate, aware or unaware,
The reflex act of life: and when we bear
Our virtue onward most impulsively,
Most full of invocation, and to be
Most instantly compellant, certes, there
We live most life, whoever breathes most air
And counts his dying years by sun and sea.
But when a soul, by choice and conscience, doth
Throw out her full force on another soul,
The conscience and the concentration both
Make mere life, Love. For Life in perfect whole
And aim consummated, is Love in sooth,
As nature’s magnet-heat rounds pole with pole.
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“This city & the intricate disorder of the seasons…”

Way Out West

BY AMIRI BARAKA

As simple an act 
as opening the eyes. Merely   
coming into things by degrees. 


Morning: some tear is broken   
on the wooden stairs 
of my lady’s eyes. Profusions   
of green. The leaves. Their   
constant prehensions. Like old   
junkies on Sheridan Square, eyes   
cold and round. There is a song   
Nat Cole sings . . . This city   
& the intricate disorder   
of the seasons. 


Unable to mention   
something as abstract as time. 


Even so, (bowing low in thick   
smoke from cheap incense; all   
kinds questions filling the mouth,   
till you suffocate & fall dead   
to opulent carpet.) Even so, 


shadows will creep over your flesh   
& hide your disorder, your lies. 


There are unattractive wild ferns   
outside the window 
where the cats hide. They yowl   
from there at nights. In heat   
& bleeding on my tulips. 


Steel bells, like the evil 
unwashed Sphinx, towing in the twilight.   
Childless old murderers, for centuries   
with musty eyes. 


I am distressed. Thinking 
of the seasons, how they pass, 
how I pass, my very youth, the 
ripe sweet of my life; drained off . . . 


Like giant rhesus monkeys;   
picking their skulls, 
with ingenious cruelty 
sucking out the brains. 


No use for beauty 
collapsed, with moldy breath   
done in. Insidious weight   
of cankered dreams. Tiresias’   
weathered cock. 


Walking into the sea, shells   
caught in the hair. Coarse   
waves tearing the tongue. 


Closing the eyes. As   
simple an act. You float
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“…yet we speak of other things…”

Vestibule

by Chase Twichell
What etiquette holds us back
from more intimate speech,
especially now, at the end of the world?
Can’t we begin a conversation
here in the vestibule,
then gradually move it inside?
What holds us back
from saying things outright?
We’ve killed the earth.
Yet we speak of other things.
Our words should cauterize
all wounds to the truth.