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“If you can dance without a craze for dancing, Play without giving play too strong a hold…”

An “If” for Girls

BY ELIZABETH LINCOLN OTIS
If you can dress to make yourself attractive,
       Yet not make puffs and curls your chief delight;
If you can swim and row, be strong and active,
       But of the gentler graces lose not sight;
If you can dance without a craze for dancing,
       Play without giving play too strong a hold,
Enjoy the love of friends without romancing,
       Care for the weak, the friendless and the old;
If you can master French and Greek and Latin,
       And not acquire, as well, a priggish mien,
If you can feel the touch of silk and satin
       Without despising calico and jean;
If you can ply a saw and use a hammer,
       Can do a man’s work when the need occurs,
Can sing when asked, without excuse or stammer,
       Can rise above unfriendly snubs and slurs;
If you can make good bread as well as fudges,
       Can sew with skill and have an eye for dust,
If you can be a friend and hold no grudges,
       A girl whom all will love because they must;
If sometime you should meet and love another
       And make a home with faith and peace enshrined,
And you its soul—a loyal wife and mother—
       You’ll work out pretty nearly to my mind
The plan that’s been developed through the ages,
       And win the best that life can have in store,
You’ll be, my girl, the model for the sages—
       A woman whom the world will bow before
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I have five things to say, Rumi-style 

I have five things to say, Rumi-style   

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I Would Answer in the Affirmative to All

Whether
BY ALFRED CORN
Whether anger quickens a lagging stride,
and periodic burn-offs in the forest
revitalize exhausted soil and flora—.
Whether we should take pleasure in the wildcat
jubilation of a lightning bolt
that whips its silver vein of genesis
through the night sky, flash-photo of a white
birch upended, the root-system buckled
to swollen thunderheads—. And whether naming
an offense amounts to sour grapes and common
bitterness, or even the conceited nonsense
of unwashed yahoo multitudes, a yawping
insult to civilized behavior—. Whether
a July rainstorm, even when it drenches
the unprepared pedestrian and befuddles
traffic, might be extravagant, a joy,
like the whoops and escalating bop glissandos
of Gillespie’s upraised horn, cascading pitches
a countersong to meteoric chalk marks
Perseids burn across the House of Leo—.
And whether peaceful ecstasy might float
up from a fifteen-second avalanche
reflected in the skier’s goggles, his jacket
a spark of scarlet on the topmost slope,
waiting for the homeward track to clear.
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“…secretly, between the shadow and the soul”

One Hundred Love Sonnets: XVII

BY PABLO NERUDA
I don’t love you as if you were a rose of salt, topaz,   

or arrow of carnations that propagate fire:   

I love you as one loves certain obscure things,   

secretly, between the shadow and the soul.
I love you as the plant that doesn’t bloom but carries   

the light of those flowers, hidden, within itself,   

and thanks to your love the tight aroma that arose   

from the earth lives dimly in my body.
I love you without knowing how, or when, or from where,   

I love you directly without problems or pride:

I love you like this because I don’t know any other way to love,

except in this form in which I am not nor are you,   

so close that your hand upon my chest is mine,   

so close that your eyes close with my dreams. 

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Observations on Writing Instruments, and the Power of Legacy

Growing up, I remember an oft-quoted and much-beloved phrase of my fathers’: the pen is mightier than the sword. As a child, it used to conjure up visions of a battlefield where a soldier on foot with a pen in hand would strike down the enemy-soldier riding his horse waving a sword in hand!  Well, that was the literal imagery in the eyes of a young child, but with time, of course, I began to understand the phrase for more than its literal sense.

My father knew a thing or two about the power of the pen, I suppose. The power it had to convey an idea without getting lost in trivial banter; the power it had to persuade one to see another’s point of view; the power it had to win a battle without resorting to blows; the power it had to offer hope in the darkest hour; the power it had to comfort, console and sustain one’s spirit in the mere offering of a few lines; the power it had to give and receive love even without uttering one audible word. Such was the power of the pen — just as fierce as a sword, only so much more meaningful! (I later also realized that my father’s love of the pen might have been in small measure due to his use of it to write one letter a day to his wife across the oceans for a year and half.)

Well, over the years, I have myself realized my love of the pen, and have tried to instill it into my children. It therefore came as not so great a surprise yesterday when I stumbled on to a hand-written poem in an old notebook in the back of my bedside drawer. It was written by my firstborn, then all of seven years old and a brand-new second grader. My surprise and sheer joy came from the words that her pen (pencil, actually!) had marked — onto the lined paper, and also directly onto my heart!  I doubt if even a sword could have carved so deep a line into the very core of my heart…

Here’s the poem titled simply “Mom”. Today, she is all-grown up and just as fierce and charming with her pen.

Mom

Mom, you help me with my homework
And you make me have fun
You’re a very special person
And you’re not like everyone.

I know you’re very busy
Going to work and cooking meals
You always keep your promise
And you make good deals.

You read me books
You read me stories
You even buy me stuffed animals
That are called Roaries.

You tell me the right thing to do, and help me find pretty shells
And Mom, your voice sounds like a million bells.

You are very nice and really kind
And you have an intelligent mind.

You cheer for me
And say, “Hooray, Hooray!”
And you tuck me in bed
Every single day.

Mom, I hope you enjoyed this rym (sic)
Mom, you’re all mine!

IMG_3383

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FALLEN by JĂ–RG PIRINGER

Visual Poetry: jörg piringer

 jörg piringer works in many forms, including visual, digital, and sound poetry, as well as music. In “fallen,” piringer combines a visual sensibility with computer programming skills to tumble text from the English translation of The Communist Manifesto into a pile at the bottom of the page. The result is a mass of letters stripped of their original meaning and representing the failure of an idea.—Geof Huth
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Desiderata Illustrated by Gavin Aung Than: Utterly Fantastic!

Desiderata poem by Max Ehrmann beautifully illustrated by Gavin Aung Than

By Gavin Aung Than / zenpencils.com via FilmsForAction.com


Another stunning comic from Zen Pencils, showing Gavin Aung Than’s mad skills by successfully tackling the difficult task of illustrating the celebrated poem ‘Desiderata’.

179_desiderata1

179_desiderata2

 

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How to Say I Love You Without Ever Saying It: Lessons From My Husband

In response to this, I received this late last evening.  Were my husband to write on a regular basis, he would surely leave me far behind in the dust.  The picture he chose was undoubtedly dug up from the annals of history and may be dated circa the summer of 1996.

The Fixer-upper (wip)

By Sunder S. Isaac

Twenty-two years of marriage – what have I got to show?
You walked into my life and you saw a fixer-upper bungalow…

The roof had to be fixed; the roof needed new shingles.
You opened my mind and gave me a new perspective.

The walls had to be patched; the walls had to be painted.
You enriched my life through art, travel, and live music.

The floor boards creaked; the floor needed to be polished.
You grounded me in reality, deepened my faith, and broadened my knowledge.

The gardens had to be weeded; the flowers needed to be planted.
We enjoyed seeing our children grow; in them, we see our future extended.

Twenty-two years of marriage – what have I got to show?
A house made a home by my soulmate, and more to see and more to know.

Happy 22nd Anniversary, Simmi!

twentytwo