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In The Land Of Invisible Women by Qanta Ahmed

If Islam is all about justice, then I want none of it!  This is my personal reaction to this claim made about Islam by the author, a doctor by profession who documents quite a fascinating account of her experiences during her tenure as a physician in one of the hospitals in Riyadh, the capital of the Kingdom of Saudi Arabia. But that reaction is a highly personal point of view that I would adhere to regardless of the story she tells.  Only, it is has been underscored even more deeply thanks to a book like this.

A light and easy style of writing that chronologically lists her arrival, assimilation, and eventual departure from the KSA, the details of life in the KSA for women, as we learn from her account is one that is not entirely shocking– what with common knowledge concerning the Sharia law as practiced in that country– nevertheless, it is still startling to learn of the many details as they pertain to the daily life and living conditions of women.  Conditions that are deplorable in every sense of the word.  Conditions that reek of the utmost disregard for the sanctity of life itself even in how a sick patient is allowed to receive medical treatment.

And the other conditions that aren’t altogether deplorable are downright revolting for the apparent hypocrisy that is practiced in so many aspects of social life:  in the outright racism among their own people; in the blatant and garish display of flesh and form among their own sex whilst covering themselves in their abayahs in mixed company; in their desperate attempts at artificially reconstructing proof of their virginity even as they go gallivanting with friends and lovers at will; in the outpouring of their pent-up sexual energies in cyber-space via e-mail and telephone even as they are forbidden to allow themselves in mixed company anywhere at all including all public places and many a private place as well; in their socio-religious customs that allows for divorce with relative ease where a woman might have the power to not release her husband, and yet allow her to turn around and present herself as a secondary wife to another man; and finally, the most hypocritical aspect of their psyches in their deep-seated hatred for all things American even as they come in hordes to be educated, trained, and gain professional working experience in the United States.

Despite the author’s claims that there is some improvement in the KSA in general attitudes toward the USA, I remain highly doubtful of this.  If they would devote one-tenth of their passions in perhaps eliminating or atleast significantly dismantling the Mutaween– their moral police force– that they have for propagating the worse possible strain of anti-semitic thought and deed, they would do themselves and the world a huge favor.  Until such time, I shall reserve judgment on their claims to have turned a leaf.

Ms. Ahmed’s book certainly sheds light on many of these aspects of Islamic life and ways in the KSA, and it can only be hoped that it would serve as an eye-opener more for the natives of the KSA than any one else.

While parts of the book read like a textbook on history and social customs of the region, parts of it also read like a cheap Mills & Boon paperback– the kind known for racy romances between a powerless female and an alpha-male.  And while Ahmed provides a follow-up on each of the primary characters in her story from her visit back to the KSA ten years later, she doesn’t make any mention of the state of affairs of her own personal marital status.  One can only hope that she has eventually found love and a strong sense of self in a relationship that extends beyond her working hours.


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No Woman Writer is Equal to Me: Naipaul

Bunch of baloney from V.S. Naipaul:

After ending the famous 15-year feud with American writer Paul Theroux at the Hay Festival this week, Nobel laureate V S Naipaul has sparked off another row by claiming that there has been no woman writer whom he considers his equal.

Often described as the ‘greatest living writer of English prose’, Naipaul made the comments at the Royal Geographic Society yesterday, prompting angry responses from literary critics, writers and readers.

Not even the celebrated novelist Jane Austen came close to being equal to him, according to Naipaul.

The Writers Guild of Great Britain said it did not want to “waste its breath” on Naipaul’s comments.

Asked if he considered any woman writer his literary match, he replied: “I don’t think so.”

On Austen, he said that he “couldn’t possibly share her sentimental ambitions, her sentimental sense of the world”.

He felt that women writers were “quite different”, and added: “I read a piece of writing and within a paragraph or two I know whether it is by a woman or not. I think [it is] unequal to me.”

Naipaul said this was because of women’s “sentimentality, the narrow view of the world. And inevitably.”

He did not name his literary editor and now writer Diana Athill, who edited some of Naipaul’s books published by Andre Deutsch, but said: “My publisher, who was so good as a taster and editor, when she became a writer, lo and behold, it was all this feminine tosh. I don’t mean this in any unkind way.”

Helen Brown, literary critic for The Daily Telegraph, said: “It certainly would be difficult to find a woman writer whose ego was equal to that of Naipaul. I’m sure his arrogant, attention-seeking views make many male writers cringe too.”

She added: “He should heed the words of George Eliot – a female writer – whose works have had a far more profound impact on world culture than his.

She wrote: “Blessed is the man, who having nothing to say, abstains from giving wordy evidence of the fact.”

Alex Clark, a literary journalist, said: “It’s absurd. I suspect VS Naipaul thinks that there isn’t anyone who is his equal. Is he really saying that writers such as Hilary Mantel, A S Byatt, Iris Murdoch are sentimental or write feminine tosh?”

Responding to Naipaul’s remarks, some readers wrote in online remarks that they agreed with his authorised biographer, Patrick French, who had described the Nobel laureate as bigoted, arrogant, vicious, racist, a woman-beating misogynist and a sado-masochist. via news.outlookindia.com 

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A Mad Desire To Dance by Elie Wiesel

This is a story about an old Jewish man who thinks he is mad but not mad enough to not seek help.  Because he seeks help with a ferocity that would make a young girl blush if you told her she was the prettiest thing you’d ever seen.  Which is more or less what the old man does by the end of the story in seeking out a random young woman in a coffee shop, befriending her, and evidently making a life with her.  But before that, he tries to “cure” himself of his madness by seeking out the services of a psycho-therapist, another Jewish woman who truly wishes to help him out but has issues of her own.  The arrangement is actually mutually beneficial because at the end of the sessions, a breakthrough has indeed occurred in terms of recalling memories embedded within memories from years past that go all the way back to his childhood.  A fine example of the value of psychoanalysis, I suppose, but this story is more than that. 

It is a story about feeling guilty about not feeling guilty enough.  For surviving the holocaust, among other things, the most common reason of guilt that besets many a post-World War II survivor.  And for having a life of comfort that has come about in the most extraordinary of circumstances.  This is actually the twist to the story that is revealed only at the very end of the book, well after all the therapy sessions are done and over with.

At the end of it all, there is at last a kind of redemption that the old man is afforded.  This is a hopeful story: one about finding love in your sunset years, taking risks no matter the risk, reconciling oneself with one’s view of history, and forging ahead to a future that is entirely of your making. 

Bravo, Mr. Wiesel!  I must check out your other work.

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Tiger, Tiger by Margaux Fragoso

This is a memoir that is a somewhat unsual one because it covers the lifespan of a young girl from the age of 7 to 21.  It is a story of a real-life Lolita, and if Nabokov’s famous work fascinated you even remotely, this post-modernist work from the 1980s onwards set in one of the most populous areas on the East coast of the United States will certainly do much more than fascinate.  It will astonish and alarm, as it will repel and repulse, even as it draws you into a world of tragic proportions where families are dysfunctional to the point of being the enablers of the victimization of such a young girl.

But what is interesting is how the perpetrator is humanized by her own victim to the point that one begins to understand the Stockholm syndrome with some clarity.

All in all, one of those stories akin to watching a bad road accident:  you wish to look away, but you can’t.  Besides, if you are a female reader, and especially one with young daughters of your own, it is almost out of a sense of parental duty that you feel compelled to read through this story of a young girls’ journey to hell and back– knowing all along that the young girl in question didn’t even realize that she had been on this long journey herself.

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My Sister, My Love by Joyce Carol Oates

Oates is a brilliant story teller no matter what the story.  I know this because I’ve read many a story of hers.  This one might be her most recent work barring the memoir-like book that recently came out.  Nonetheless, it took me a good two years to get to it! 

This voluminous novel is based on the real-life murder mystery of the JonBenet Ramsey case from the mid-nineties in the States.  It is impossible to have lived in the States and to have not been aware of this fascinating and macabre story that permeated the news waves in print and electronic media for years on end– and which to this day remains unsolved.

What is the life of a child prodigy like?  What are the parents and family of a child prodigy like?  Oates weaves her answers to these two questions throughout the novel, and ties each individual’s story to where the defining point of their lives is the tragedy that is the one common thread that holds them together– literally by a thread.

Unlike real life, however, this is one mystery that is solved in the very end– if not to the public, certainly to the immediate family of parents and brother of the lovely little deceased girl.  And there is redemption to the one who never knew how much it was needed– until it is received.  Which allows hope to enter into the mind of the reader– hope for a brighter tomorrow for the survivors. 

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Philip Roth: Wit and Misery in Quotes – The Telegraph

 In celebration of Mr. Roth’s win of the Man Booker International Prize!

The only obsession everyone wants: ‘love.’ People think that in falling in love they make themselves whole? The Platonic union of souls? I think otherwise. I think you’re whole before you begin. And the love fractures you. You’re whole, and then you’re cracked open.”
The Dying Animal

 

All that we don’t know is astonishing. Even more astonishing is what passes for knowing.
The Human Stain

 

Nor had I understood til then how the shameless vanity of utter fools can so strongly determine the fate of others.
The Plot Against America

 

Good Christ, a Jewish man with parents alive is a fifteen-year-old boy, and will remain a fifteen-year-old boy till they die.”
Portnoy’s Complaint

 

Life is just a short period of time in which you are alive.
American Pastoral

 

As for himself, however hateful life was, it was hateful in a home and not in the gutter. Many Americans hated their homes. The number of homeless in America couldn’t touch the number of Americans who had homes and families and hated the whole thing.
Sabbath’s Theater

 

People are unjust to anger — it can be enlivening and a lot of fun.
The Counterlife

 

The legend engraved on the face of the Jewish nickel– on the body of every Jewish child!– not IN GOD WE TRUST, but SOMEDAY YOU’LL BE A PARENT AND YOU’LL KNOW WHAT IT’S LIKE.
Portnoy’s Complaint

 

Nothing keeps its promise.
Sabbath’s Theater

 

You don’t have to work in a mental hospital to know about husbands and wives.
Sabbath’s Theater

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Philip Roth Wins Man Booker Prize, Judge Carmen Callil Quits In Protest (POLL)

Congratulations, Mr. Roth! Of course, you’re controversial, but in my book, you’re worthy of the Man Booker Prize!

Philip Roth was awarded The Man Booker Prize , it was announced this morning on the prize’s website. The prize is worth close to $100,000. The Guardian reports:

The author, a perennial contender for the Nobel prize in literature, was named winner of the Man Booker International at the Sydney Writers’ Festival today, beating a stellar, if eclectic, shortlist. Also in the running were the British children’s author Philip Pullman, award-winning Chinese writer Su Tong, American authors Anne Tyler and Marilynne Robinson, Australia’s David Malouf and a reluctant John le Carré

.

This award, given every two years, honors a body of work instead of a single work. John le Carré, tried to have his name withdrawn from the shortlist.

But that was just the beginning of the controversy. While some are celebrating Roth’s win with a collection of his most miserable quotes about life, others are up in arms over his win. Judge Carmen Callil quit in protest over the decision and is quoted in The Guardian:

I don’t rate him as a writer at all. I made it clear that I wouldn’t have put him on the longlist, so I was amazed when he stayed there. He was the only one I didn’t admire – all the others were fine,” said Callil, who will explain why she believes Roth is not a worthy winner in an outspoken column in the Guardian Review on Saturday 21 May. “Roth goes to the core of their [Cartwright and Gekoski’s] beings. But he certainly doesn’t go to the core of mine … Emperor’s clothes: in 20 years’ time will anyone read him?

What do you think? Was she right or is Roth a literary giant worthy of the prize?

 

Quick Poll

Did Roth deserve the Booker for the body of his work or would you have quit if you were a judge too?

Totally deserved it

76.47%

 

Yeah, I’d quit too

23.53%

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The Picture of Dorian Gray by Oscar Wilde

“For what shall it profit a man, if he shall gain the whole world, and lose his own soul? Or what shall a man give in exchange for his soul?”  This is the cornerstone Biblical verse upon which the story of Dorian Gray is built.  And what Dorian gives in exchange for his soul is everlasting beauty.  Beauty that is wholly superficial, however, because one need only scratch the surface to see beneath that attractive mask that what really lies within is a most unpleasant, nay, ugly visage. 

Dorian’s friend, Lord Henry Wotton tells him once that “It is better to be beautiful than to be good. But it is better to be good than to be ugly,”  and Dorian takes these words to heart and chooses to be an embodiment of that very philosophy.  What that means is that he engages in the most hedonistic of lifestyles and adopts a world-view that puts every sensual pleasure to the fore.  He values the fine arts and all things in which beauty is palpable, all the while disregarding the state of his own soul.  Even love is an unnecessary impediment in the ultimate pursuit of all things beautiful.  But twenty years of this lifestyle is how long Dorian can go before he realizes that he has indeed lost his soul. 

This is Oscar Wilde’s one and only published work, and sets the bar for what is called the gothic horror genre.  A brilliant work that showcases the finest example of excellent writing, this is a story that pulls you in with a centrifugal force.  Lord Henry is the other protagonist through whom we receive an opinion on everything from the instituion of marriage to the weather, and who is the chief influence on Dorian.  Wilde’s commentary on the social norms of 19th century England that promote a lifestyle of pursuing art for the sake of art and elevating the ego to so high and lofty a place that it is bound to be the cause of one’s downfall is the ulterior point of this amazing novel. 

And that is a theme that is indeed a timeless one.

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